
Grammy-Nominated Engineer working with artists ranging from The Killers and U2 to Taylor Swift and One Direction. With every project I take on, I give my full attention and expertise until the client is completely satisfied. I won't take on any project unless I have full confidence I will achieve the results you are looking for.
Over the last 10 years, Matt Bishop has earned himself an impressive credit list ranging from Taylor Swift and The Killers to U2 and Two Door Cinema Club. Whether it's engineering, producing, or mixing, Matt Bishop has proved himself time again as a trusted industry professional. With experience working in many different genres of music, he utilizes this unique perspective in all the projects he takes on.
Send me an email through 'Contact' button above and I'll get back to you asap.
Credits
- The killers
- Taylor Swift
- U2
- Catfish & The Bottlemen
- Two door cinema club
- The Beaches
- Kodaline
- Delilah Montagu
- Modest Mouse
- The Silversun Pickups
- Twin atlantic
- Raury
- Yacht
- Neil Diamond
- Snow Patrol
- Empire of the Sun
- The Regrettes
- Jack Garratt
- Bob Moses
- Jake Bugg
- One Direction
- Lissie
- Robbie Williams
- The Cars
- The killers
- Two door cinema club
- Twin atlantic
634 Reviews - 114 Repeat Clients
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Had the best experience working with Matt! Excellent communication, and his level of expertise really shines through in his work. His mixing really made the track stand out, and I can’t wait for the next project with Matt!
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Matt was a gentleman. He was also spot on with everything I was asking him to do when I needed help finishing a mix. Would recommend and will book again.
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Superb.
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If you want your work to truly “sound better” than you ever thought it could, get Matt!
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Matts the guy, dude
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I can't recommend Matt high enough. I'm a newbie to this process and Matt made things a breeze. Super fast with turnaround on iterations and the final product was top notch. Matt took a song I felt good about to the next level. I will definitely be back!!
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Always great working with Matt! Super smooth process and great communication. Looking forward to working with him again :)
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Matt make sound good.
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Matt mastered our debut album and we are thrilled with the results! He was communicative, efficient, and went above & beyond to help us get the tracks to that perfect place. Highly recommend!
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Looking forward to working on more tracks together!
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Matt was great to work with. Very professional, great communication and delivery time. His work was also top notch and would definitely recommend him. Would love to work with him again!
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Matt knew exactly what to do for our track, and nailed it while also being considerate of our revisions and changes! Couldn’t be happier with the final version of the song we’ve spent so much time on!
Extremely genuine dude to work with, hope to work with him soon again! - check_circleVerified
It’s been wonderful working with you!! The song is amazing 🤩 See you for the next one ☀️
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I needed one song mastered and he did it incredibly good and fast. High quality, high level. Thank you, Matt.
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Matt is the best! Love how much perspective he brings to his mixes. They are open and wide yet simultaneously punchy and thumpy. Matt is my go-to!
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Matt is a total professional. Got the master right on the first try and was quick and responsive. It was a really good experience working with him.
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Matt is a great communicator and always does fantastic work. Matt is worth hiring if you want to bring the most out of your tracks!
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It was great working with Matt again on mastering my track. Put the final polish on that it needed. He is also a fast communicator and takes your notes with thoughtful consideration. You won't regret hiring him for any of your projects!
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Matt is the man. Patient, and great at what he does. Look forward to working with him again in up coming projects!
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Superb. Really responsive and so happy with outcome. Highly recommend!
Interview with Matt Bishop
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: As an engineer on U2's "Songs Of Experience" it was a very high pressure environment that had no room for error. It was a lot of hard work and long hours that helped me learn a lot about myself. It was such an honor to be able to create music with true living legends.
Q: Analog or digital and why?
A: I cant live without either. The convenience of digital mixed with the unpredictability of analog is really the golden ticket.
Q: What's your 'promise' to your clients?
A: To help them achieve something they will be proud of.
Q: What do you like most about your job?
A: I love the variety in what I do. I love being able to help someone realize the full potential in their art.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Laptop, Universal Apollo Interface, Stratocaster, Juno 6, SM7
Q: What was your career path? How long have you been doing this?
A: I have been working full time as a producer/mixer/engineer for the last 11 years in Los Angeles. I started my career as an intern at Clearlake Audio in Burbank, CA. My time there allowed me to meet many people and make connections that lead to full-time engineering for producer Jacknife Lee. Working with Jacknife really allowed me to hone my skills and learn from some of the greatest musicians and producers in the world.
Q: Can you share one music production tip?
A: Perfect is boring
Q: Tell us about your studio setup.
A: Pro Tools and Logic are my DAW's of choice. I try and have instruments and gear that inspire creativity and exploration.
Q: Describe the most common type of work you do for your clients.
A: Mixing & Production

I was the Engineer/Mix Engineer in this production
- Matt Bishop - Collected Works
- Hoax - Drew
- The Regrettes - Step 9
- Caroline Kingsbury - Kissing Someone Else
- Mixing EngineerContact for pricing
- Mastering EngineerAverage price - $80 per song
- EditingContact for pricing
Revisions are always allowed (within reason). Turnaround time is based on availability.
- The Killers
- Two Door Cinema Club
- Empire of the Sun
- Full UAD suit of top of the line plug-ins. Vintage analog FX units.